UFO Challenge: Ellen’s Goffered Veil

Ellen shares a goffered veil as part of the UFO Challenge.

Entered in the categories:
  • Old enough to drive, vote, or retire. Project that has spent the longest time to complete
  • Finally, knocked the bastard off! Most longed for project / most relief on completion
As Ellen of Wyteley shares:

A long, long time ago, in a land quite close to here, I was admiring the look of someones goffered veil. First, I attempted to purchase such a piece, but the only one I could find within my budget turned out to be really quite crappy. So when I next purchased a 2.5 m piece of white linen, for an under-garment, I reserved enough for a semi-circular shoulder length veil, and I reserved a strip of selvedge the two full 2.5 metres long, to make the frill from. I cut out the veil and this strip and then I got thoroughly daunted by the idea of attaching a lot of fabric to not very much fabric, and it all went and sat in the naughty corner for at least two years. So when the UFO challenge came out, I revived the project; I looked at a bunch of websites, but they all seemed too complicated. So in the end I hemmed the semi circle  with a very small hem and then made the frill up as I went along. I decided to not try to make it perfectly even. I put a running stitch through to put the gathers where I wanted them them, then I basted them to themselves with back stitch, because they moved too much on running stitch. Then I sewed them very carefully to the underside of my straight edge of my semi-circle.  First, I stitched the bottom on, then I searched the top on, and then I decided it didn’t look secure enough and stitched the bottom on again, and then I ironed the beejeezus out of it and put a running stitch it all. They are now thoroughly attached. This hand sewing took a very long time, because I was determined to to stitch each and every fold thoroughly onto the main body of the veil, so that the only bits that stick up are the bits that are meant to stick up, i.e. the front edge.

Ellen of Wyteley wearing a white linen, semi-circular goffered veil and a checked wool gown

What would I do differently? The silver strip I used was 3 fabric thicknesses;  it was folded into thirds and I used the salvage as one of the hard edges and the fold as the other hard edge. In hindsight I should have put the cut edge on the inside! I remembered that far too late. I sincerely hope It won’t turn fluffy over the years. Perhaps I should have used a similar but thinner fabric, because the frill is a little bulky, but at least this way I didn’t have to fart about deciding whether two colours of white are actually exactly the same enough or not. I’m one of those people where things either have to be distinctively different or exactly the same; not quite the same would drive me crazy. how delinquent you have been.

Read more about the UFO Challenge and the entry categories here.

Blue banner with text stating The Ladies of Hous Amberherthe present the UFO Challenge, bookended by period images of a man sitting inside a white comet.

UFO Challenge: Christian’s Men’s landsknecht clothing

Christian enters an entire ensemble of men’s landsknect clothing in the UFO Challenge.

Entered in the categories:
  • Why didn’t I just finish this? Least amount of work required to complete the project / closest to completion
  • Old enough to drive, vote, or retire. Project that has spent the longest time to complete
  • Finally, knocked the bastard off! Most longed for project / most relief on completion
In Christian’s own words:

The project as completed for this challenge includes the following items:

  1. Wams (doublet)
  2. Hosen and underhosen (two layers for the pants)
  3. Garters
  4. Leather belt
  5. Hat
  6. Linen coif 

The shirt for this project was completed for an earlier challenge.

When was it started?

My Project Books says I started this project in April/May 2018, and then re-started it again in 2022. I had long been planning to make such an outfit for myself, having made one for Tycho many years ago (sometime prior to 2005), but the right fabric and occasion were elusive.  I started the outfit with a linen shirt, which was completed for a previous Southron Gaard (Persona Gubbins) A&S Challenge in 2019/2020: https://southrongaardarts.blogspot.com/2020/10/pgc2019-christian-baiers-landsknecht.html (and that project itself was delayed due to the vicissitudes of COVID).

When I reopened my project bag for this UFO challenge, it was a pleasant surprise to find that everything was largely completed; the only things to be finished were the eyelets and points for the wams and hosen, making the garters and coif, adding the belt mounts to the belt leather, and completing the hat with a suspension system and a feather.

Why was it not completed in a timely manner?
Meistern Christian Baier wearing a male landsknect ensemble comprising a red wams, black hosen and underhosen, black hat with feathers over a linen coif

The fabric was thicker than preferred, making the outfit only really suitable for a winter event, delaying the completion until an appropriate event came around (in this case Yule 2025).

I cannot recall the date when I picked up the red and black wool fabrics from which the outfit is made, but these were short ends on sale (from the now defunct Fabric Vision); the short length of fabric made them affordable, but created further challenges and delays in trying to get a whole outfit from 1.5m of each colour.

In addition to taking a long time to find an appropriate fabric, COVID created a many-months-long delay as my usual linen thread merchants either no longer operated, no longer shipped, or ridiculously increased their prices, during the pandemic. 

The patterning took longer than it should, because not only was I trying to achieve a period pattern and good fit, I was also trying to create a more masculine silhouette; and then try to fit that pattern on to the available fabric.  

Appropriate tools for the slashing were just not available or macgyer-able at a reasonable cost, so yet another delay.  Thanks to Baroness Isabel Maria for the loan of her lovely Elizabeth pinking set, which was wonderful to use, albeit a little undersized.

Local leather supplies for period-appropriate-weight belt leather are also now few and far between; I finally managed to pick up some belt leather on holiday overseas last year.  The belt fittings I acquired  maybe 10 years ago, but hadn’t got around to identifying an outfit until now. thanks to Sir Tycho for punching the holes and bashing the rivets.

The hat blank I acquired for around $2 in a sale at Farmers many, many years ago.  I almost finished this hat two years ago, but as I hate wearing hats, I didn’t have a compelling enough reason to finish it.  For this project, hiding my less than masculine-16thC hairstyle necessitated a hat, as well as a linen coif.  The coif was made from the last of the scraps of the shirt fabric.  Both these projects were finished in an evening.

This project also tended to be put on hold while I worked on other projects that were more suitable for other upcoming events.

Lessons learned:

When you purchase materials for a project, don’t skimp; you may need more in the future and you may not be able to find the same or similar materials, at the same price, in the same place.
It sucks living in a small island at the end of the earth, but especially so during a global pandemic.
Don’t forget to date your projects in your project book, so you truly know how delinquent you have been.

Read more about the UFO Challenge and the entry categories here.

Blue banner with text stating The Ladies of Hous Amberherthe present the UFO Challenge, bookended by period images of a man sitting inside a white comet.

UFO Challenge: Milgrim’s Apron Dress

Milgrim shares an embroidered apron dress as her most recent entry in the UFO Challenge

Entered in the categories:
  • Sorry its taken so long…  A gift that’s been constantly nagging your guilty conscience
Milgrim states:

“Cosmia’s apron dress is also completed…

“A Viking style apron overdress, adorned with an embroidered hedgehog – recycled from a cotton cot sheet), and tablet woven Oseberg pattern trim (similar to that found in the Oseberg related area and site). The weaving is the easy part, learning to embroider was a bit of a challenge as well as sewing a dress from nothing…luckily it was quite easy…and the list (kind of) got shorter!”

Cosima's viking apron dress, embroidered with a hedgehog, made by Milgrim
Cosima wearing her new apron dress, with embroidered hedgehog, made by Milgrim.

Read more about the UFO Challenge and the entry categories here.

Blue banner with text stating The Ladies of Hous Amberherthe present the UFO Challenge, bookended by period images of a man sitting inside a white comet.

UFO Challenge: Isabel Maria’s Tablecloth

Isabel Maria shares a fringed brocade tablecloth as a newly completed item in Southron Gaard’s UFO Challenge.

Entered in the categories:
  • I just couldn’t wait (a project that has been used unfinished, which has finally been finished)
In Isabel Maria’s words:

“Many years ago, I ran across a sample of a beautiful, but discontinued furnishing brocade. It reminded me of various tablecloths I had admired in my youth, and was just the right size to fit the folding table I use at Canterbury Faire, so I snapped it up. The plan was to hem it (to hide the nylon-thread overlocking) and to add a weighty fringed hem.

“While I started the hemming process well before the Covid lockdowns, I did not finish it until June 2024. During the intervening years I was unable to find a fringe that really suited the fabric – some didn’t have the necessary weight, others were a colour that seemed to drain the life out of the brocade. So, once I completed the hemming, rather than put the project away because it wasn’t fully finished, I started using the tablecloth as is. It was too pretty to leave folded in a cupboard for any longer.

“After using the cloth at Baronial Anniversary, I found a fringe that was the right weight, and a suitable colour. A little hand-sewing later, to secure both the top and bottom of the fringe band, I have the tablecloth I originally envisioned. And I love it!”

Read more about the UFO Challenge and the entry categories here.

Blue banner with text stating The Ladies of Hous Amberherthe present the UFO Challenge, bookended by period images of a man sitting inside a white comet.

UFO Challenge: Angus’s Roman Ensemble

Angus submits a black linen tunic as a newly completed item in Southron Gaard’s UFO Challenge.

Entered in the categories:
  • Why didn’t I just finish this?
  • Bored now!
In Angus’s words:

“My black Roman tunic initially started for Julia Fortunata’s naming ceremony in AS57” (left picture below).
“Never completed and actually never worn at the time. 
Finally completed and modified to a shorter version to go with the newer parts of my roman combinations.” (right picture below)

Baron Angus not wearing his black linen tunic at Julia Fortunata's naming ceremony during Canterbury Faire AS 57.
Angus is wearing a red linen tunic, with a mauve silk head covering and black sandals.
Angus wearing his black linen Roman tunic at Southron Gaard's SCA 60th Year Games Revel in AS 60.
Angus is wearing a black linen tunic with gold clavi over a natural linen undertunic, brown linen trousers, natural wool socks and brown leather boots. The ensemble is topped with a black edged cloak of red wool secured with a large brooch.

Read more about the UFO Challenge and the entry categories here.

Blue banner with text stating The Ladies of Hous Amberherthe present the UFO Challenge, bookended by period images of a man sitting inside a white comet.

UFO: Milgrim’s Nalbound Doll

Entered in the category “Sorry it’s taken so long“, Milgrim has this to say about her project:

“A Morbid Nalbound Doll named Simon.

“He is a companion for Cosmia’s other dead doll, named Herman. Herman, the Royal Cupbearer, who passed away from a unfortunate morsel of mushroom, has now got his mate, Simon (No relation to Simon of Cluain) who was killed in the line of duty while carrying out his Royal Messenger duties by horseback.

Two dolls made of nalbinding, one unstuffed, and the other looking rather dead (eyes crossed, tongue hanging out)
Herman, and the unfinished Simon

“This doll was Nålbound – in true Milgrim fashion – with needle tensioned Oslo stitch with pure wool yarn.

“This doll was for Cosmia so that she can have an appropriate toy at SCA events.”

Simon the Doll (not of Cluain), a completed nalbound figure, shot to death, with cross eyes and his tongue hanging out and the arrow still in him!
Simon, well and truly finished…

You can read more about the UFO Challenge and the entry categories here.

Blue banner with text stating The Ladies of Hous Amberherthe present the UFO Challenge, bookended by period images of a man sitting inside a white comet.

UFO Challenge

Southron Gaard has a long and excellent tradition of Arts and Sciences Challenges; we’re world famous in the Crescent Isles and throughout the known world for our challenges!

After a break in 2024-2025, your premiere challengers, who have brought you such previous challenges as the Baronial Heraldic Challenge, the Second Baronial Heraldic Challenge, the Persona Gubbins Challenge, and the Event Embellishment, Elaboration, and Edification Arts & Sciences Challenge, bring you: the UFO Challenge!

Our theme for this Challenge is to finish some of those projects that have been sitting in the naughty corner, or hiding in your stash, haunting and taunting you. We were much inspired by our discussions with you at Faire: you asked for it, and here it is!

This Challenge is brought to you by The Ladies of Hous Amberherthe (Baroness Christian Baier, Baronessa Isabel María del Aguila, and Baroness Joana de Bairros); with the gracious support of Their Excellencies, Angus and Joana, Baron and Baroness of Southron Gaard, and the Southron Gaard Arts and Sciences Officer The Honourable Lady Amabilia Thexton, and the Southron Gaard Baronial Council.

What is an Arts & Sciences Challenge?

Challenges are not competitions; a challenge is intended to be fun, no pressure! The only person you are challenging is yourself; challenging yourself to set aside time to make and craft, and to follow your passions.  And once completed, you can share the wonders with the Barony.

What is a UFO?

A UFO in SCA (and crafting) terms is an UnFinished Object: a project conceived or started but not yet completed or stalled for some reason.

What to Enter?

You may enter the challenge by making or doing one (or more) items which fit any of the categories below, and telling us about it.

  • Entries can be as tiny or as grand as you choose, and may include “small”, “medium”, “large”, and “gosh, look at the size of that thing” projects.
  • Items can be completed or progressed further during the challenge.
  • Entries must start as unfinished projects, i.e. they are either:
    • Started, but have been on hold or not been worked on, since before Canterbury Faire (CF) 2025 (i.e. since 18 January 2025), or
    • Some or most of the materials and tools have been acquired prior to CF 2025, but the project is still not yet started, or
    • A project from any previous challenge which had not been completed in that challenge.
  • All items should be related to, or for use in, the SCA.
  • Items may be for you, for another SCA person, or for an SCA group (e.g. for the Barony).
  • Entries can be made by an individual or by a group, by young or old, by Southron Gaard citizens or by any citizens of another group who would like to join the fun.
  • The projects must be re-started at or after Baronial Anniversary 2025 (22 March 2025), and completed by Baronial Anniversary 2026 (approximately 23 March 2026) – that’s one whole year!.

How to Enter

Submit the following information to aandschallenge@sg.sca.org.nz

  • a photograph of the item
  • the category (or categories) that best fit the entry
  • a few brief notes about the entry (full documentation is NOT required, but welcome if you would like to do so):
    • what the item is
    • any information you would like to share about the item, its historical context, and its making
    • any information you would like to share about the item’s (or your) journey from start to UFO to further along the UFO journey / to completion

Your Recognition:

As with previous Arts & Sciences Challenges in Southron Gaard, all entrants will be awarded a special token at the completion of the challenge

UFO Challenge Category

  • Why didn’t I just finish this?  The least amount of work required to complete the project / project closest to completion
  • Old enough to drive, vote, or retire…  A project that has spent the longest time from inception to completion
  • Finally, knocked the b*stard off!  Your most longed for project / most relief on completion
  • UFO : UFO  The subtle inclusion of UFO (unidentified flying object) theme, in an otherwise SCA / historically appropriate item
  • Bored now!  A project downsized for completion
  • The ship has sailed..  A project finished but rendered redundant by time
  • I just couldn’t wait!  A project that has been used unfinished, which has now finally been finished
  • Sorry its taken so long…  A gift that’s been constantly nagging your guilty conscience
  • U-turn!  A project that started life intending to be on thing, and has finished as another

Check back regularly for further information and works in progress, which will also be shared on all the usual Southron Gaard socials!

Also check out Hous Amberherthe’s Arts & Sciences Challenges for a look back at previous A&S Challenges issued by the Ladies of Hous Amberherthe.

Blue banner with text stating The Ladies of Hous Amberherthe present the UFO Challenge, bookended by period images of a man sitting inside a white comet.

EEEEC: Challenge Wrap Up

EEEEC: Challenge Wrap Up

Following on from our previous Arts and Sciences challenge, the Persona Gubbins Challenge, where we explored projects to enhance our persona, the Ladies of Amberherthe, with the gracious support of Their Excellencies, Grim and Alexandra, Baron and Baroness of Southron Gaard, and Lady Adelsea Gladwyne, then Southron Gaard Arts and Sciences Officer, having been inspired by our own post-Faire to-do list, but more especially by the enthusiasm and excitement of many newcomers as they thought upon what they had beheld and experienced at Faire last year, and planned for this year, devised the Event Embellishment, Elaboration, and Edification Challenge and invited the populace to make or practice arts and sciences with a focus on use at events.

Some statistics about the EEEE Challenge entries

  • Number of individual entrants:                                     14
  • Number of entries:                                                        47
  • Largest number of entries from one individual:          6
  • Most popular categories (in this order):                       Collaboration, Preparation, Inspiration, Personification
  • Most popular types of entry (in this order):                Clothing, and Food

Each entrant has earned a token to commemorate their efforts in meeting this challenge. The token is a wooden game board (with Hare and Hounds on one side, and either Terni Lapilli or 3 Men’s Morris on the other), six game tokens, a die, and a booklet that explains the rules for all three games.

Thank you to everyone who joined us in accepting this challenge to develop skills and items to enhance our experiences at SCA events.

A special mention is due to the members of Gildenwick, who embraced this challenge and furnished many inspiring entries across a swathe of categories.

We hope you will enjoy playing these games at events, and that this challenge inspired you to try something new!

In service to Arts, Sciences, and better events
Baroness Christian Baier
Baronessa Isabel María del Aguila
The Honourable Lady Joana de Bairros

EEEEC: Joana de Bairros’ Portuguese Feast

EEEEC: Joana de Bairros’ “An Evening in Granada” Feast

Figs in the French manner

Entered under the category of degustation

“This was an event born out of my desire to cook Iberian food.  I have been translating and redacting some recipes from the Portuguese Livro de Cozinha da Infanta D. Maria, and wanted to incorporate these into a feast…”

“…Normally I would look at the concept of an event and plan the feast based on that.  This event was however entirely about the food and the dining experience and I had convinced my husband that he wanted to steward it so we could make the event as Iberian as we wanted to!…”

To read more about this sumptuous and delectable feast, visit this google doc.

Queso Asado – Roasted Cheese

EEEEC: Isabel Maria’s Transformational Soteltie Tower

EEEEC: Isabel Maria’s Tower Soteltie

This tower falls into the categories of collaboration, luxuriation, and transformation

Constructed from a base of popcorn pottles, plant pot-trays, and paper bowls, the basic shape was transformed by overlayed with plaster wraps by Julia Fortunata and Christian Baier. This not only concealed the popcorn motif, but added a textured layer that could be painted.

For its first outing, the tower was lit internally and rigged with two furry rats that scurried up the walls towards the Pied Piper (made by Christian) when a cord was pulled. This was to complement the “Pied Piper of Hamlin” theme. (I am reliably informed that His Majesty and Their Excellencies tested this mechanism thoroughly during the feast.)

For its second outing, the tower was de-ratted and lushly decorated with pomegranates, red carnations, red roses, and gold leaves to enhance the “Evening in Granada” theme.